In South Africa under the presidency of Jacob Zuma, any analysis of government and governance without factoring sex into the mix was tame and lame. Zuma was a notorious polygamist who had six official wives as president, many more by unofficial account and 22 children from the liaisons. He was a kingpin of lechery. On May 8, 2006, a South African court under Judge van der Merwe acquitted him of rape of Fezekile Ntsukela Kuzwayo, an HIV-positive AIDS activist, who was the daughter of his friend, Judson Kuzwayo. During trial, Zuma pleaded that the sex was consensual but admitted that he had unprotected sex with the lady. He then stunned the world with his bizarre claim that he had “showered afterwards to cut the risk of contracting the infection.”
In the process of studying power relations in Nigeria, sex as a phenomenon is often understudied or underrated. In other words, while power relations are known to be shaped by a complex interplay of factors that range from the economic, political, social, to the cultural, including individual characteristics and relationship dynamics, hardly are gender and sex reckoned with.
In my piece of March 6, 2022 with the title, Buhari’s Serial Rape Of Nigeria’s Lady Justice, I doubled down on a sub-theme of the powerful role sex plays in national politics. To do justice to this, I recalled a September 7, 2008 cartoon sketched by Jonathan Shapiro, award-winning cartoonist with the Johannesburg-based Sunday Times whose cartoon identity was Zapiro. I illustrated the piece with a submission that though political cartooning may look harmless, it can be nerve-racking, provoking the bile of political office holders and triggering a huge political umbrage in the process. This cartoon triggered a huge ball of fire in South Africa. Named ‘Rape of Lady Justice’, in it, Zuma, who was then leader of the African National Congress (ANC), and later to become president, was seen loosening his trousers’ zippers for a sexual romp. On his head was a shower cap. Before him, flung on the bare floor, was a blindfolded lady with a lapel inscribed, “Justice System” hung on her chest.
Four hefty and menacing-looking men knelt by the Lady Justice’s side, holding down the “wench”, whose skirt was half peeled off. They were political surrogates of Zuma in the ANC, which included Julius Malema, then leader of the ANC Youth League. The scale of justice had fallen down beside the Lady Justice, with one of the men smilingly beckoning on Zuma to clamber her, muttering: “Go for it, boss!”
That cartoon shot Zuma into a fit. Indeed, he immediately sued Zapiro for the sum of £700,000. Massive reactions followed it, ranging from the condemnatory to the laudatory. The ANC, SACP and ANC Youth League pilloried it as “hate speech,” “disgusting” and “bordering on defamation of character” and then petitioned the South African Human Rights Commission for redress.
I went into all these dogo turenchi, just as I did in another piece I wrote on February 6, 2022, to ask that we must not underrate the power of sex in high places. In that February piece, I borrowed a line from Irish poet and playwright, Oscar Wilde, who said, “everything in the world is about sex, except sex. Sex is about power”. With it, I submitted that the Wilde theory should tell us that there is an intersection between gender, sexual power and political power. This was further escalated by renowned scholar, Prof Wale Adebanwi, in one of his journal articles, where he submitted that “the African man of power must display or exhibit his virility – particularly sexual virility.” In the same vein, Zimbabwean journalist and blogger, Fungai Machirori, urged us to study the sexual histories of our men in power because, from the rhythm of their silently dangling penises, we may find a compass to their politics.
Last Thursday, the ghost of the spat between Senate President, Godswill Akpabio and senator representing Kogi West, Natasha Akpoti-Uduaghan, will seem to have rested. In the relations of power in the senate, on that day, Akpabio, it will seem, had succeeded in showing Akpoti-Uduaghan that, as bland-looking as the old Nigerian pence looked, it was not a currency to be trifled with by the Kobo coin (Bí tọrọ ṣe yọ to, kíì s’ẹgbẹ Kọbọ). Not only was she suspended for six months for violating senate rules and bringing the senate “to public opprobrium”, her salary and security details were withdrawn while her office would be locked during the pendency of the suspension.
If you watched the senate proceedings leading to Akpoti-Uduaghan’s suspension, you would be sorry for Nigeria. Then, African-American Sterling Brown would come to your mind, just as you visualize Jonathan Shapiro’s cartoon in Akpabio figuratively loosening his trousers’ zippers for a forceful sexual romp with the Lady Justice. With same lens, you would see Majority Leader, Opeyemi Bamidele, Adenigba Fadahunsi and other fawning senators holding down the “wench”, smilingly beckoning Akpabio to “Go for it, boss!”
Like Africans, African-Americans grew to know the wisdom which teaches that injustice is a furnace that burns and destroys. The life of Sterling Brown, professor at America’s Howard University, folklorist, poet and literary critic, was chiefly dedicated to studying black culture. In one of his poems entitled “Old Lem,” Brown wrote about mob violence and injustice which black people suffered in the hands of the American criminal justice system. American writer and civil rights activist, James Baldwin’s ‘The Fire Next Time’ also speaks to this theme. In the America of the time, black parents, aware of the danger of their blackness and the violence and death they could suffer, deployed folklore to cushion them, even as they told stories that depicted their skewed realities.
There was this famous folklore told to African-American children while growing up. Entitled “Old Sis Goose,” it goes thus, as I reproduce it verbatim: One day, “while swimming across a pond, Sis Goose got caught by Brer Fox. Sis gets pissed off because she believes that she has a perfect right to swim in the pond. She decides to sue Brer Fox. But when the case gets to court, Sis Goose looks around and sees that besides the Sheriff who is a fox, the judge is a fox, the prosecuting and defence attorneys are ones too and even the jury is comprised entirely of foxes. Sis Goose doesn’t like her chances. Sure enough at the end of the trial, Sis Goose is convicted and summarily executed. Soon, the jury, judge, Sheriff and the attorneys are picking on her bones.”
The morals of this old anecdote are two. One, as encapsulated in one of the lines of Apala musician, Ayinla Omowura’s track, is that, if you do not have a representative in a council where your matter will be decided, even if you are right, you would be adjudged guilty. The second moral is that, if the courthouse is filled with foxes and you are an ordinary, lonely goose, there will be no justice for you.
In the senate last week, Akpoti-Uduaghan was Sis Goose who looked around and saw that, beside the judge, Akpabio who is a fox, the prosecuting and defence attorneys were all foxes, too. Even the jury is comprised entirely of foxes. Though they appeared as unbiased umpire senators, they were flesh-starved foxes baying for blood of the hapless little Goose. And Sis Goose was summarily executed.
First, we must realise that, just like other Nigerian institutions, the power, glory, graft and corruption at the beck and call of Akpabio’s senate presidency is breathtakingly awesome and humongous. Don’t mind his suffocation of these agencies in his most times nauseating jokes, Akpabio has the power to literally turn anyone’s night into day. If you enter his senate as a pauper and find favour in his ego, you could upstage Mansa Musa, ninth Mansa of the Mali empire’s wealth. Owing to this largesse in his hands, as ants gravitate towards the pee of a diabetic, the senate president has the pleasure of a humongous number of solicited and unsolicited fawners and senatorial Oraisa (praise-singers) and hangers-on latching to his apron strings. It is a tactic to have a bite of the corruptive mountain of pies in the hands of the titular. This need to grovel by the feet of power was affirmed by Senator Opeyemi Bamidele. Akpoti-Uduaghan had alleged that, in a midnight call he made to her, he had threatened that, if Akpabio went down, she, too (ostensibly meaning a huge mound of free wealth) would similarly go into the incinerator.
As I recalled last week, immediately Akpoti-Uduaghan leveled allegations of sexual harassment against Akpabio on Arise TV, a build-up began to salvage Akpabio, the King Fox and prevent the largesse empire from falling. First came Onyekachi Nwaebonyi, senator representing Ebonyi North. Nwaebonyi’s fawning is nauseating. On a television show, he acknowledged Akpabio, a first among equals senator, as “our father” and had to be rebuked like an erring kindergarten pupil by the anchor of the programme. Nwaebonyi later came back to attack Akpoti-Uduaghan in the unkindest manner as a serial philanderer. Thereafter came Ireti Kingibe and Neda Imasuen. While Kingibe, who claimed to have driven herself to the television station, struggled frenetically to make her female senator colleague the victimizer, she deodorized King Fox as her victim. Imasuen, chairman senate committee on ethics, even before his committee sat on the alleged infraction of Akpoti-Uduaghan, told the world on another television interview that Akpabio shared same beatification qualities with Angel Gabriel. The question then is, if Nwaebonyi, Kingibe, Yemi Adaramodu and Imasuen could externalize an issue on television and not the parliament, what criminalizes, in the so-called senate rules, Akpoti-Uduaghan doing same?
At the televised senate hearing, King Fox, in defiance of the rules of equity and justice, was judge, jury and accused who sat in judgment over his own case. Second, it was obvious that the foxes had gathered for Akpoti-Uduaghan’s legislative obsequies. It was also apparent that the executioners had been carefully selected for the job. One by one, the senators assembled arsenal with which to shed the Kogi senator’s blood. Chief Whip Mohammed Monguno clinically prepared the guillotine. Spears, axes, knives and swords were readied. Monguno stood up and went into oblique narration of how Standing Order 55(1) had been violated. Now, like an objectionable character, a meddlesome interloper who Yoruba call Karambani, Kogi West Senator, Sunday Karimi, acting like all fawners at the feet of power, admitted he put Akpabio in “this problem” because he pleaded with King Fox to allot chairmanship position to Akpoti-Uduaghan.
Then, Ade Fadahunsi, ex-Customs officer, representing Osun East, began his own gibber on the floor of the senate. While accepting that the senate was a consequential parliament and that its integrity(?) had gone down, Fadahunsi saw the allegation of sexual harassment against King Fox as “mere trivial matter” and admitted he didn’t “want to know what is the undercurrent.” In his parliamentary arrogance, Fadahunsi even saw it as “an insult” for “a radio we licensed” to invite a man alleged to have gone on a rampaging libido to come and explain what he saw inside the pot of soup that made him tilt his hands suggestively (t’ó rí l’obe t’ó fí gaaru ọwọ). Fadahunsi then lifted the bible to reify his doggerel, fawning over King Fox in the process.
Still during the executioners’ hearing aimed at taking Akpoti-Uduaghan through the gallows, Mohammed Dandutse, representing Katsina South senatorial district, stood up, his babanriga fluffing helplessly like the lame hand of an invalid. He waffled so pitiably that you would wonder what he was talking about. After him, Cyril Fasuyi, in his usual kowtow, did not fail to fawn. Even Senator Ita Giwa, on television, propounded a bizarre theory which argued that, once a woman had risen to become a senator, she was immune to sexual harassment. This pitiably suggested that a woman senator must have had enough of men to be moved by the typhoon of their harassment. Nigerians’ mouths were agape.
So many issues crop up from the Akpoti-Uduaghan travails. The first can be seen from Opeyemi Bamidele’s argument in favour of her suspension. During this executioners’ session, he argued that the Kogi senator must have been so execrable in behaviour that all political parties, all genders and all age demographics were in alignment with King Fox against her. Opeyemi did not tell Nigerians that the executioner senators were only defending their esophaguses in the hands of King Fox.
As argued by many, the National Assembly is our modern day equivalent of the “I” as “We” thesis, the secrecy and single-purpose pursuit cult of the Yoruba Ogboni fraternity. Espoused by Peter Morton-Williams in his journal article entitled, “The Yoruba Ogboni Cult” (Africa: Journal of the International African Institute, Vol. 30, No. 4 (Oct., 1960, pp. 362-374) Morton-Williams didn’t follow Leo Frobenius’ earlier 1910 examination of the Ogboni cult in Ibadan, in the process of which he referred to its members as “mystery-mongering greybeards’.
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Morton-Williams classified the Ogboni Cult into two grades membership – the Wé-Wé -Wé – ‘children’ of the cult, its junior grade Ologboni or Alawo (Owners of the Mystery or the Secret), and the the Olori Oluwo, ritual head of the Ogboni. The Nigerian senate is similarly classified, with the Senate President replicating the Oluwo. The senate chambers, which is akin to the Ilédì (lodge) of the Ogboni, is where secrets are lidded. In the Ogboni cult, kolanuts are split and eaten as an act of reminder that the Ogboni members are bonded in secrecy. This act makes it very hard for any of the Ogboni to factionalize the fraternity and break the pod of secrecy that binds the cult. Any member who violates this code courts ritual sanction. As the Ẹdan Ogboni, a pair of brass/bronze figure that represents male/female, linked by a chain, is a symbol of membership and abidance by the rules, so is the Senate Order book. So, when Remi Tinubu, a woman who had also once been a victim of verbal sexual flagellation, also came out to reinforce the power of the secrecy of the Senate over an alleged debasement of womanhood, it only confirmed the fraternal solidarity of this modern senate cult. The Akpoti-Uduaghan travails have so many symbolisms. One is gender, in which case, the Kogi senator is suffering the audacity of her femininity.
In this patriarchal society, it is a crime for a woman to be beautiful, brainy and, on top of it, attempt to disrupt the status-quo. The penal sanction meted out to such disruptors is ostracism or death, as is in the Ogboni cult. Second is that, as the pigeon (eyele), the bird that eats and drinks with the house owner in time of plenty, the senate fraternity considers it sacrilegious for Akpoti-Uduaghan to repudiate the fraternity oath. The Ilédì, Senate chambers, a la Senator Ita Giwa, is home for the lascivious, the sleazy and the heart-wrenching. As the harvest for the seed of membership of Ogboni is prestige, wealth and societal honour, for the Nigerian senator, it is humongous cash. If Akpoti-Uduaghan is aquaphobic, not ready to face the ostracism that logically comes from fighting a fraternity’s status-quo of which she had been a member, she had no reason to jump inside the river.
For the man of power, sex is a conquest game, won either by shedding drops of a virile libido or the victory of ego over a woman traducer.
It was what Adebanwi meant by his “the African man of power must display or exhibit his virility – particularly sexual virility.” As it stands now, Fox Akpabio has succeeded, according to Akpoti-Uduaghan’s unsubstantiated allegation, in being “made happy” through his summary execution of the Goose. For how long? Only time will tell.
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